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Episode 3: Courtney Martin


In Episode 3 I begin a series of conversations with my good friend and neighbor Courtney Martin.

Episode Highlights
  • the economics of reclaiming clay scraps
  • trying to keep up with popular culture while living in rural NC
  • graffiti and 80's hip hop
  • hoarding bisqueware
  • living near in the Penland School community
  • puttering vs. getting straight to work
Episode Rsources
Names We Drop
 Follow Courtney 
Follow Michael 
Exhibition Links
"Two", Lark and Key, Charlotte, NC
"Greetings From North Carolina" Santa Fe Clay Santa Fe, NM
"Designed and Crafted 14"Signature Contemporary Crafts Atlanta, GA

"Thank" Courtney for the conversation on Twitter

Thanks for listening!!

Coffee Break vol. 35

Did I hear someone say #MugshotMonday? Or is just an echo in my memory?

Well neither, actually. It's just another volume in the undying series, Coffee Breaks™here at the Sawdust and Dirt BLOG, not to be confused with the podcast of the same name. This is about the clickety clack sound of the old keyboard but I must admit it is a reprint from another "blogging" platform. But, BOY, can i drop links into THIS format like nobodies business!

At any rate, here is the blog post I set out to cross post in the first place,



I met Marsha Owen at the Penland School of Crafts 25 years ago in a workshop being taught by GA potter Michael Simon. I also met Sam Taylor, Aaron Weissblum, Jane Shellenbarger, Suze Lindsay, and Mark Shapiro! It was quite a group. We were all young and wanting to be potters. Sam had only been making pots for a little over a year.

Suze and Jane were #corefellows at Penland, I had graduated from UTK and had only made pots for 5 years. Mark was probably the most experienced one being a little older than us and making pots since high school. We see each other from time to time.

We were all very much imprinted by Michael's demos and just being together working and playing at Penland for those 3 weeks changed us. Marsha and Suze and myself went on to be Penland resident artists. (at different times) and I teamed up with Mark and Sam (and Aaron for a time) as the brothers in clay in western Massachussetts. We lived and breathed pots.

For the last two winters Marsha has been to Penland to work in the #winterstudio at #Penland and we fired the salt kiln together. This paddled cup was in our valentine's day firing and Marsha gave it to me. But it has been sitting in the office at Penland with a little note. So today, I finally get to drink out of it and think of Marsha and all the rest.

Objects have all kinds of ways of engaging us with their forms, colors, and the memories they can evoke.

Episode 2: Lindsay Rogers


In this episode I talk with Asheville artist-potter, Lindsay Rogers.

We talk about moving to Asheville, NC, life after graduate school, and her work at Haywood Community College.

For you inside pottery listeners we talk about working alone vs in a group situation, commuting and the transition from home to studio. We discuss a video by the Portland Growler Company and Commercial/Industrial appropriation of the small scale/handmade which led to mention of David Pye’s discussion of the workmanship of risk vs workmanship of certainty.

More studio insider talk about how much to make, and producing numbers and Lindsay’s time working for Natchez, Mississippi potter Conner Burns Do deadlines kill spontaneity or do they give us structure in our workflow? I mention my sketching of pattern idea on paper plates and the intrinsic values of materials and creativity Lindsay describes the evolution of her current designs and the Bull and Beggar event

(Wanna go to the bull and beggar restaurant in Asheville, NC?)

You can find out more about Lindsay Rogers and her ceramics at her
LindsayRogersCeramics.com
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