left at another blog earlier today.
"I heard that phrase a lot in TX. Maybe that's a cattle reference? I prefer grass fed beef.
On transparency and honesty in reporting, I agree with Adriana, but tend to just 'grin through my teeth'. I've had my share of crap shows, for sure. I just don't do that many shows anymore because I don't do well in general when I'm in a booth of some kind. I tend to do better when I can show folks my kiln, my clay pit, and flesh out the narrative in that way versus a brag book of pictures or a series of charade like gestures. I guess the blog and facebook can do that.
The market is a fickle place and it seems more often that promoters walk away with the real money. There is a crap ton of shows out there and the craft show paradigm is crap.
With that said, I think of these opportunities as a savings account. Or better yet a life insurance policy, maybe. (i know its a stretch, since I don't fully understand either) But all of these shows may be seen as a form of proselytizing. It the shaking hands, politicking part of the craft career. Our presence at a craft show keeps us out there among the people. We're clearly seen by many as entertainment. Thankfully some of these folks also buy our work to take home and relive that entertainment on their tables and in their cupboards.
(i've obviously had way too much coffee, but i will try to continue to make a point)
Back to the deep hole that we throw our money. (the gamble of the craft show) I guess what I'm thinking here is that we don't really know who we'll meet at these events. Whether it is another artist who can become an inspiration, or a reporter, or writer, etc. We may get invited to do a workshop. But if we look at these attempts as half full it might ease the disappointment of having to pack all of those pots up to take to the next show. It is a circus of sorts, take down the tent to put up in another town. Part of this strategy for me has been to stay close to home and/or be very selective of my craft show participation. We all have these stories of dashed success, I guess I'm still trying to figure things out and move on the good ideas. These good ideas are implicitly informed by the un-successes of the past, but not necessarily dwelled upon (grinning through teeth, wink, wink)
(ok, i'd better leave it there, I'm starting to get dizzy)
Carter could you pick up this convoluted ball of tangled extension cords and unravel it?"