If you are trying something new, take a picture!
"Filled with high-quality images spanning 60 years of [Karnes's] work. After reading the book, you will understand why she is commonly referred to as the 'grandmother of American ceramics.'"
"There are too few books that treat pottery as seriously as other art forms; too few that pay sufficient tribute to the achievements of women artists; and too few that situate great art within a rich biographical context. This finely textured book does all three, providing in-depth analysis not only of Karnes's pots and sculpture, but also of the life of the fascinating person who made them."
--Glenn Adamson, Deputy Head of Research and Head of Graduate Studies, Victoria and Albert Museum
"Mark Shapiro has assembled a stellar cast of essayists to explore the intriguing life and work of potter Karen Karnes. They write with a grace, clarity, and reverence befitting this maker of sublime yet curiously humble clay masterpieces."
--Mark Hewitt, potter and co-author of The Potters Eye: Art and Tradition in North Carolina Pottery
"A great book about one of the important potters of our time. Seven artists, critics, historians, and friends, followed by Karen's own observations, document her life and work. Central, analytical, and factual, it is a fascinating story of creativity and dedication. Inspiring and long overdue, it is important reading for all artists."
--Warren MacKenzie, potter
3/25/2011 - 4/4/2011
2011 Yunomi Invitational
5 Yunomis each
Wood Fired Pots: Expect the Unexpected
The wood kiln is a great vehicle for expressing our best intentions and celebrating the process and the natural effects of fire on clay. We'll experiment with brushes and discuss imagery to create simple or complex patterns in slips and glazes. BYOB (bring your own cone 10 bisque ware) to be fired in the wood kiln. While we wait for the kiln to cool, we'll make pots of all sizes and join in a series of fun exercises that are guaranteed to brush up your decorating & painting skills!
This will be an action packed week that will begin with decorating/glazing your pots to be fired in the manibigama wood kiln. Bring cone ten stoneware pots that have been bisque fired. We will load the kiln and fire the kiln paying close attention to the effects of different kinds of wood and frequency of stoking. We will use our sense of seeing, hearing and smell to understand what’s happening inside the kiln! While the kiln cools, we will make pots and do lots of fun brushwork exercises. I will demonstrate how to make pots of all sizes, especially larger pots. We will explore brushes, pattern making on the pottery surface, slip/glaze strategies, and other decorating techniques including my pigmented wax resist technique. In addition, I will discuss my blog and how it informs my studio practice. We will discuss various approaches to this online media and how it is shaping our pottery field. At the end of the week, we will unload the wood kiln and assess the results and have an informal critiques of the pots.
Why craft now?In typical Kline fashion I avoid actually answering the question by restating the question and then giving a rather mysterious and vague poetic kind of answer. Hmmm. Suspicious art speak?
As a maker my question is usually why craft then? As a potter I tend to look at the history of my craft as a well to dip my hands into and a fire to keep stoking.