Friday, February 26, 2010

One Rather Long Ramble: Or Am I Going To Ever Going To Get Back to the Wheel?

Somehow it all makes sense I guess. There are things in your life that have their influence on you, people, pots, and finger paintings! I just saw this drawing as I was putting together this morning's post and thought, "oh, that's interesting." It could be that I'm drawing conclusions or implying that this drawing has influenced me in some subconscious way when really it just hangs on the door that we go in and out of all through the day. Now I'm confusing myself. Anyway you can draw your own conclusions or draw your own finger painting, or just draw!


When I was at Highwater Clays the other day I bought a bag of Grolleg kaolin for my #6 Tile kaolin slip. Go figure. I call it T6 slip, but it has a little bit of Grolleg in the recipe. It's a recipe I got from Linda Christianson somewhere down the road. It worked really well, so why change a good thing? Well that bag of Grolleg kaolin was $44! Yes, I know it is from England. Yes I know it probably one of the world's best clays. But come on!! I tell myself that it's just a small portion of the recipe and the bag will last a long time. But come on! I putting it on dirt! Oh well. If it works is there a reason to fix it?

[In researching this post, it turns out that all dry materials have gone ¡way! up. Did you notice this, or am I just a little slow to catch on? The Grolleg is actually ¡cheaper! than the #6Tile!! See for yourself...]

I digress.

Where were we?

Oh yes, I pour the slip on the slabs, spin the bat that the slab is on, and then comb away.


Here is the hump mold just after I have shaped a dish. You can still see the ghost image of the combed slip. Below are the molded dishes aprés Bandana. Stacey thought they looked too much like Michael and Naomi's pots. I said, "Oh good!!" I don't think she knew that it was covers week here at the pottery. And what would be so wrong about that, anyway? I guess this idea of originality is a problematic one for us potters.

I also saw some nice doodlings from Dylan Bowen. You can see for yourself. It's a doodle thing! (aka what goes around, comes around)

On to more formal thoughts, or more well formed thoughts, anyway. [damn, ever since Simon's post yesterday, I've been trying to be as clever, sorry, I'll leave the irony to Mr. Levin]

Here is a bottle/vase/call-it-what-you-will, on a specially made chuck for trimming. This series of pots started out as a cover of the Bruce Gohlson "big gulp" yunomi the other day and by the second board of 'em it had morphed into this shape. To see the bottle/vase just hold your monitor upside down, or stand on your head, or scroll down, whatever is more fun, or easier, your choice...
The cup shape grew into a vase shape quite naturally.

Here are a couple that asked for ears!

After that I was back at the treadle wheel for some more trimming. I took the still soft chuck I used for the bottle/vases and reshaped the top to accommodate the MSimon cup covers! The updated chuck's effectiveness was marginal but it worked and I got them done.



The feet were tricky. I soon found that I had looked closely at the finished fired cup when throwing these, but hadn't looked closely enough at the foot. For most of these I had left too much clay in bottoms which needed a lot careful tweaking to get the cups where they wanted to be. A process that made the feet look a little overwrought. Most of them were taller and narrower in proportion than the original.

This one had the nice profile, a decent weight, and the foot was close, but a far cry from Mr. Simon's. The scale is a little off.

;-)

The scale is one of the things I like about Michael's cup. It's volume is very specific to my coffee in the morning or a good gulp of water. My version will hopefully find a home where it is "just the thing".

For me, it's back to the drawing board, or rather, back to the wheel! It's getting on noon and here I am at a keyboard!


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